• info@LawFirm.SabiLaw.org

Item Tag: 9770262213999

VOGUE UK-BRITISH MAGAZINE-APRIL 2024-FKA TWIGS!-BRAND NEW-In Stock Now

“”””ITEM IS IN STOCK NOW”””””PLACE YOUR ORDER WITHOUT ANY HESITATIONS””””” FKA Twigs Is British Vogue’s April 2024 Cover Star BY CHIOMA NNADI Resourceful and resilient: for me, those are the two words that truly underpin the brilliance of British style. As a teenager, I would spend hours sitting outside the old Central Saint Martins building on Charing Cross Road to see how the art and fashion students dressed. This wasn’t about designer label-spotting – most of the kids didn’t, of course, have enough money to shop on Bond Street – but about noting how they would put together the eclectic pieces they’d found at car boot sales or on Portobello Road, which is where I did all my shopping too. Three decades later and, while much has changed in the 20 years I have been living in the US, London’s beautiful, creative, scrappy energy – one that just can’t be found or emulated anywhere else – remains undimmed. I write this on my way to Milan, utterly rejuvenated from an invigorating slew of autumn/winter 2024 shows at London Fashion Week, which served as a wonderful, nostalgic reminder of how exceptional we are at bringing to life fresh, irreverent ideas. It’s what, I now realise, made me fall in love with fashion in the first place, all those years ago, when I still lived round the corner from the Oxford Circus Topshop. And so, back on home turf with the new responsibility and supreme honour of taking up the mantle at British Vogue, I knew my first cover star needed to be someone who defined that inimitable spirit. Luckily for me, it was an easy choice. FKA twigs is an artist who represents the ideal of the modern British eccentric: she is a shape-shifter who rejects conformity and takes real joy in clothes. And as someone whose personal style was ignited by the clubbing scene, I was so inspired speaking with twigs about her latest work and the always-alluring relationship between fashion and music. She reminded me that it isn’t just about the runway – it exists and can be found in so many different places, be it at a rave or in our home lives. Our April cover shoot, photographed by Johnny Dufort and styled by Ib Kamara, also offered the perfect moment to showcase some brilliant British design talent, from Jonathan Anderson’s revered Loewe to rising star Jawara Alleyne, who is just one of a new generation of designers (see also: Supriya Lele and Aaron Esh) whose singular point of view I am excited to amplify. So, too, am I eager to look beyond our capital and tell the style and culture stories unfolding in all corners of the UK. It was a delight to return to Manchester, where I went to university, to witness last year’s Chanel Métiers d’art show. What else have I missed besides the fashion and Brixton’s Jamaican food? The art, the people, the traditions, the nature. All of Britain’s beautiful juxtapositions. So I bring you an undone Lila Moss in the quintessential country garden; artist of the moment Slawn in his new east London café-cum-gallery with his gorgeous family; the under-the-radar vintage collectors whose archives are the envy of all; and Britain’s new leading man, the charming Louis Partridge. And then there are the stories that reveal another side of life. Take Billie Piper, an actor who has been through her own turbulence, and whose latest role explores a crisis within the royal family. Meanwhile, in a fascinating Viewpoint, the writer Cassie Werber explores what love and parenting looks like in an open marriage. Because how we think and love – as well as how we shop, beautify and style ourselves – are all reflections of a new Britain. And, I hope, Vogue can hold up a mirror to them all. It’s good to be back. …..Order a copy to know more……. “””NEWSSTAND EDITION”””MAGAZINE HAS A BAR-CODE”””BRAND NEW COPIES””””

VOGUE UK-BRITISH MAGAZINE-FEBRUARY 2026-JESSIE BUCKLEY-Brand New-IN STOCK

Jessie Buckley Is British Vogue’s February 2026 Cover Star. As the frontrunner of this year’s race for best actress, our cover star, Jessie Buckley, is quite frankly in a class of her own. With Hamnet now in cinemas, her utterly stirring portrayal of Shakespeare’s wife, Agnes, will rip your heart out.

VOGUE UK-BRITISH Mag – JANUARY 2024-TOLU COKER, PRIYA AHLUWALIA & TOTISHEJU DUMI

“”””ITEM IS IN STOCK NOW”””””PLACE YOUR ORDER WITHOUT ANY HESITATIONS””””” JANUARY 2024 ISSUE “We Are Business Owners, You Can’t Be A Wallflower”: Priya Ahluwalia, Tolu Coker & Torishéju Dumi Are Leading The Charge For Sustainable British Design For today’s fashion talent, sustainability goes beyond a buzzword. Julia Hobbs meets three designers – with three distinct styles – who are aligned on a shared purpose. Photographs by Charlotte Wales. Styling by Poppy Kain. Tolu Coker, the youngest of our prodigious designer trio, is sitting cross-legged on the floor of an improvised dressing room on set for her British Vogue cover shoot, sharing an insider’s guide to her North Kensington neighbourhood. I open an iPhone Note and type: “St Augustine’s car boot sale in Kilburn. Go early.” “It’s where the Portobello vintage traders source their pieces,” Tolu says, scrolling for a photo of the industrial knitting machines she’s discovered there – the same machines that the 29-year-old Central Saint Martins graduate used to create her breakout spring/summer 2024 collection, entitled Irapada (meaning “redemption” in Yoruba) from her living-room atelier, inspired by the white gowns worn in south London’s Yoruba churches and Candomblé processions in Brazil. Subscribe to British Vogue Today, in a sunlit Tottenham photo studio, Coker’s hand-deconstructed denim will be celebrated alongside designs by her fellow cover stars, visionary creative directors Priya Ahluwalia and Torishéju Dumi, both 31. Where Ahluwalia is a master of artisanal knits and zinging prints, Dumi’s monochromatic looks are about structure; in her hands, deconstructed blazers become a blueprint for extraordinary silhouettes using offcuts of fabric salvaged from large wholesale warehouses. These designers have built businesses on resourcefulness. “Sustainability to me is about making do with what you have. That’s in my DNA,” Dumi says. “The fabrics that I work with are always offcuts. There’s so much leftover fabric out there.” It’s a sentiment shared by Coker. “Very early on, I conditioned myself that my definition of success is about slow, steady growth and longevity – to be able to continue creating, and grow with the people around me as well,” she says, adding that fashion doesn’t always have to be about making more clothes. “Sometimes it’s just telling a new story with what already exists,” Coker adds, which was why some of the pieces in her spring/summer 2024 collection were carried forward from a previous release. The clothes these three women produce are innately sustainable, which isn’t, as Ahluwalia has long emphasised, “just about the yarn you choose”, but driving social and environmental change. Since graduating from the University of Westminster’s menswear MA programme in 2018 (Opening Ceremony and LN-CC bought Ahluwalia’s entirely upcycled graduate collection), she’s built a team with a high representation of Black women, inclusive of LGBTQ+ and Disabled people. “If you’re a woman, and you’re Black or brown, the opportunities available to you as a fashion designer get smaller and smaller,” Ahluwalia says. The reality is that deserving talents are being overlooked because decision-makers are choosing to stick with the status quo. “For fashion to be new, and for creativity to thrive, we have to be open to different points of view. We need to broaden the pool of people that are part of top-level conversations, starting with who’s in the room,” she explains. “There are designers and creators who are so capable, and will flourish with the right backing.” Beyond being less wasteful when it comes to making clothes, Ahluwalia knows how her factories treat their staff. She’s also constantly thinking of ways to reward the community that follow her brand but may not necessarily be able to afford to buy it, through invitations to her film festivals and runway shows. Indeed, five years in, the south Londoner is already on a mission to grow her namesake label into a lifestyle brand in the manner of a Ralph Lauren, encompassing everything from interiors to restaurants – as well as film (she’s represented by Ridley Scott’s prestigious Black Dog Films production company, and has directed shorts for Mulberry and Vogue). Torishéju Dumi – born in Harlesden, in the capital’s northwest – was the wildcard who won Paris Fashion Week. Her first-ever runway show ended the spring/summer 2024 collections with an exclamation point; her obsessive study of texture and form brought to life by an all-star model line-up including Naomi Campbell, Paloma Elsesser and Devyn Garcia, assembled by casting director Aymeric. (The stylist, Gabriella Karefa-Johnson, first spotted Dumi’s talent while sitting as a virtual judge during Central Saint Martins MA fashion graduate show in 2021.) Campbell’s opening look featured Torishéju’s signature horned blazer, a piece that embodies her modus operandi as a designer. “The clothes I make are there to help the wearer feel like somebody,” she says. Dumi honed her exacting eye at Céline, during Phoebe Philo’s tenure. The house’s Cavendish Square atelier (with the famous purple velvet carpet that spiralled all the way up to Philo’s office) offered a masterclass in pattern cutting and familial team warmth. “Everyone was lovely,” she says of her alma mater. Some days, she was despatched to the enormous Chelsea archive, where she relished the opportunity to photograph pieces from past collections, seeing firsthand how they were made. “Everybody has their own take on why they like that era of Céline,” she notes. “For me, it’s the beautiful construction – that’s what makes good clothing.” Dumi’s debut runway show was about realising her own autonomy. “I’m not living out people’s preconceived notions of what I should be like as a Black designer,” she says. “It’s only now, with the release of this collection, that I actually feel free for the first time in my creative life.” While momentum is gathering for these three industry frontrunners, financial support is increasingly harder to come by, particularly for fashion shows, which are a vital part of any rising designer’s publicity strategy. “Lighting alone will cost you a minimum of £12,000 for 10 minutes,” Ahluwalia says, leaning towards my iPhone microphone. “If any of you [reading this] want to give us money for a show, I’m taking meetings at the moment,” she says with a laugh. “A lot of people think that more visibility equals more financial success, and that’s not always the case,” Coker explains. Each of the designer’s pathways into the industry underscores the importance of access to expert tuition and funding. Coker learnt about Central Saint Martins through a local youth centre during her school holidays, and held her inaugural runway show thanks to the support of the BFC’s NewGen initiative, which has springboarded UK fashion talents including Ahluwalia, Lee McQueen, Jonathan Anderson and Molly Goddard over the past 30 years. Without the Sarabande scholarship (awarded by photographer Sølve Sundsbø), and fabrics donated by Alexander McQueen, Dumi tells me she wouldn’t have been able to complete her MA. Ahluwalia, meanwhile, credits Ganni CEO Nicolaj Reffstrup for sharing advice which proved instrumental in how she built her business – tools (Coker calls them Ahluwalia’s “seeds of knowledge”) that she’s keen to pass on to her contemporaries. “We are business owners, so you can’t be a wallflower,” Ahluwalia says. “People like us and buy our brands because we know what we want. That’s our job – to know what we think is beautiful or interesting. Start from now,” she urges Dumi. “Know that you’re allowed to ask for what you want. If you were a man, you would just do it.” As the trio gather for their group portrait, Ahluwalia has some final words of advice. “You know, the fact that we’re all here is so f**king amazing,” she says. “When we’re each on our way home this evening, we should all think about being here. Really enjoy it. Savour it. Because life happens so fast.” …..Order a copy to know further……. “””NEWSSTAND EDITION”””MAGAZINE HAS A BAR-CODE”””BRAND NEW COPIES””””

VOGUE UK-BRITISH MAGAZINE-MAY 2026-CHARLIE XCX-Brand New

Charli XCX Is British Vogue’s May 2026 Cover Star. The beloved British actor is among several of the designer’s fabulous friends who we gathered together, dressed in signature romantic pieces from the Erdem archives, in Dress Circle.

VOGUE UK-BRITISH MAGAZINE-FEBRUARY 2026-JESSIE BUCKLEY-Brand New

Jessie Buckley Is British Vogue’s February 2026 Cover Star. As the frontrunner of this year’s race for best actress, our cover star, Jessie Buckley, is quite frankly in a class of her own. With Hamnet now in cinemas, her utterly stirring portrayal of Shakespeare’s wife, Agnes, will rip your heart out.