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Item Tag: Paper

1896 WILLIAM MACDOUGALL ORIGINAL LARGE PAINTED BORDER DESIGNS ‘BOOK OF RUTH’ X2

[ART NOUVEAU BOOK ILLUSTRATION, WILLIAM MACDOUGALL] On offer here are TWO, ORIGINAL WILLIAM BROWN MACDOUGALL BOOK ILLUSTRATION BORDERS FOR HIS 1896 ‘BOOK OF RUTH’ PUBLISHED BY J.M. DENT, LONDON.The painted borders are rendered on artist board and measure 17.0 in x 21.5 in. The painted border image on board measure 10.0 in x 13.5 in. The border design with the two ‘fan’ like flowers at the bottom is also signed & dated by MacDougall at the lower right. This particular border design was used in ‘Book of Ruth’ as the ‘Chapter One’ page border. (we also have a copy of the 1896 1st edition).The second border design with the ‘vine like’ motif is the border for the ‘Chapter Three’ page border. Each of the painted borders indicate they need to be mechanically reduced by the plate engraver to a ‘6 3/8’ inch size which is the exact width size of the border in the printed copy we have. ___________________William Brown Macdougall (16 December 1868 – 20 April 1936) was a Scottish artist, wood engraver, etcher and book illustrator. Macdougall was born in Glasgow on 16 December 1868. He was married to Margaret Armour, the translator, poet and playwright. They collaborated with Aubrey Beardsley on many projects and were members of the prestigious New English Art Club. The couple lived in the Uplands, Loughton, and then for many years at Debden Green, Loughton in Essex, home at the time of a noted artistic and scientific community, where a Blue Plaque commemorating them was unveiled in 2012. Macdougall received his art education at the Glasgow Academy and at the Académie Julian in Paris, also working in the studios of Bouguereau, Jean-Paul Laurens and Tony Robert-Fleury, and becoming a member of the Salon des Artistes Français. He contributed to The Yellow Book, The Evergreen, and The Savoy in the 1890s. His work tended to be somewhat sombre and was clearly influenced by Aubrey Beardsley and William Morris. He provided a frontispiece portrait of Robert Louis Stevenson for Margaret’s first book, and illustrations for her books of poetry as well as her translations from medieval German. He only illustrated for a very brief period between 1896 and 1898, but contributed greatly to this form of art – his decorative vignettes seen in “The Fall of the Nibelungs”, “Isabella, or the Pot of Basil” and “The Blessed Damozel” owe much to Art Nouveau and Arts and Crafts Movement motifs. He died on 20 April 1936 in Loughton. After William’s death Margaret returned to Edinburgh, where she died in 1943. Legacy His work was exhibited at the Royal Academy and Royal Scottish Academy in 1888, 1928 and 1929, at the New English Art Club, Royal Glasgow Institute of the Fine Arts in 1927, Walker Art Gallery, Liverpool, Manchester City Art Gallery and the Paris Salon. William’s sister Agnes donated 6 prints and a plaster bust of William done by Frank Mowbray Taubman while they were both students in Paris in the late 1890s to The Kelvingrove Art Gallery in Glasgow. Please email any questions –

1973 Vanishing Japanese Folk House Architecture Design Book Chuji Kawashima

Vanishing Minka Traditional Japanese Folk Houses Layout Structure Interior Architecture Illustrated Book by Chuji Kawashima 1973 Shofu to Seikatsusha. Artist: Chuji Kawashima. Despite its age, the internal illustrations and plates remain in generally good, clean condition, free of writing, highlighting, or underlining.